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Machen's popularity in 1920s America has been noted, and his work was an influence on the development of the pulp horror found in magazines like Weird Tales and on such notable fantasy writers as James Branch Cabell, Clark Ashton Smith, Robert E. Howard, [17] Frank Belknap Long (who wrote a tribute to Machen in verse, "On Reading Arthur Machen ...
While adapted from the novella and using much the same artwork of the graphic video series, the comic also contains additional scenes and information providing a fuller story, such as, the fate of the Ackermans, revealing N.'s full name and who spoke it to him in the field, who was responsible for giving N. the key and further expanding on ...
The Great God Pan is an 1894 horror and fantasy novella by Welsh writer Arthur Machen. Machen was inspired to write The Great God Pan by his experiences at the ruins of a pagan temple in Wales. What would become the first chapter of the novella was published in the newspaper The Whirlwind in 1890
"The White People" is a horror short story by Welsh author Arthur Machen. Written in the late 1890s, it was first published in 1904 in Horlick's Magazine, edited by Machen's friend A. E. Waite, then reprinted in Machen's collection The House of Souls (1906).
The novel comprises several weird tales and culminates in a denouement of deadly horror, connected with a secret society devoted to debauched pagan rituals.The three impostors of the title are members of this society who weave a web of deception in the streets of London, relating the aforementioned weird tales in the process.
In the novel The Shining, Danny shares his power of "the shining" with several strangers, where in the film adaptation, he is secretive about it, even when confiding in fellow psychic Dick Hallorann. In the novel, Danny has an extraordinary intelligence, a large vocabulary, is attached to his father and is able to foresee all of Hotel Overlook ...
Download as PDF; Printable version; In other projects Wikidata item; ... Pages in category "Works by Arthur Machen" The following 5 pages are in this category, out of ...
Machen drew copiously on his own early years in Wales and London, and the book as a whole is an exploration through imagination of a potential fate which he personally avoided. One of the first explorations in fiction of the figure of the doomed artist, who is biographically so much a part of the decadent 1890s.