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Undertone singing. Undertone singing is a set of singing techniques in which the vocalist makes use of vibrations of the vocal apparatus [1] in order to produce subharmonic tones below the bass tone and extend the vocal range below the limits of the modal voice. [2]
Examples include the Drama Centre at Flinders University in Adelaide, South Australia, where the Estill-based vocal technique is taught; [78] [79] London College of Music in its guidelines on the suggested development of vocal technique, as part of the music theatre syllabus, uses Estill Voice Training terminology; [80] Saint Mary's College of ...
Particularly famous examples of extended vocal technique can be found in the music of Luciano Berio, John Cage, George Crumb, Peter Maxwell Davies, Hans Werner Henze, György Ligeti, Demetrio Stratos, Meredith Monk, Giacinto Scelsi, Arnold Schoenberg, Salvatore Sciarrino, Karlheinz Stockhausen, Tim Foust, Avi Kaplan, and Trevor Wishart.
Sprechgesang is more closely aligned with the long-used musical techniques of recitative or parlando than is Sprechstimme.Where the term is employed in this way, it is usually in the context of the late Romantic German operas or "music dramas" that were composed by Richard Wagner and others in the 19th century.
Vocal pedagogy covers a broad range of aspects of singing, ranging from the physiological process of vocal production to the artistic aspects of interpretation of songs from different genres or historical eras. Typical areas of study include: [1] Human anatomy and physiology as it relates to the physical process of singing.
Throat singing techniques may be classified under an ethnomusicological approach, which considers cultural aspects, their associations to rituals, religious practices, storytelling, labor songs, vocal games, and other contexts; or a musical approach, which considers their artistic use, the basic acoustical principles, and the physiological and mechanical procedures to learn, train and produce ...
In music, call and response is a compositional technique, often a succession of two distinct phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response. The phrases can be vocal, instrumental, or both. [1]
A vocalise / v oʊ k ə ˈ l iː z / is a vocal exercise (often one suitable for performance) without words, which is sung on one or more vowel sounds. [3] Finally, a good vocal warm-up should prepare the specific material that is going to be rehearsed or performed (usually a vocal warm-up is a precursor to either rehearsal or performance).