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Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
The Italian art historian Roberto Longhi notes that the drawing of the scene is structured through "cross and radial lines" and not by "arching flexible lines", [3] which places the work in the aforementioned context of freer composition that marks the maturing style of the painter in the late 15th century.
Most damaging was the 6 May 1527, Spanish and German troops' sacking Rome that for two decades all but ended the role of the Papacy as the largest patron of Renaissance art and architecture. [38] While the Italian Renaissance was fading, the Northern Renaissance adopted many of its ideals and transformed its styles. A number of Italy's greatest ...
Duecento (UK: / ˌ dj uː ə ˈ tʃ ɛ n t oʊ /, [1] Italian: [ˌdu.eˈtʃɛnto] literally "two hundred") or Dugento [2] is the Italian word for the Italian culture of the 13th century - that is to say 1200 to 1299. During this period the first shoots of the Italian Renaissance appeared, in literature and art, to be developed in the following ...
Lillie, Amanda, "Architectural Time Archived 2020-08-08 at the Wayback Machine", in Building the Picture: Architecture in Italian Renaissance Painting, published online 2014, The National Gallery, London, accessed 27 December 2014 "NGA": National Gallery of Art, "highlights" page on the painting, accessed 21 December 2014
These artists were known for their innovative use of color, intricate detail, and emotive expressions, helping to define early Italian Renaissance art. [2] The 16th century saw the emergence of another influential school led by Dosso Dossi, who was known for his imaginative and often fantastical landscapes and subjects. [3]
St. Justina, adored by the donor Kunsthistorisches Museum, Vienna Nicholas of Bari with two children and Virgin. Alessandro Bonvicino (also Buonvicino) (c. 1498 – possibly 22 December 1554), more commonly known as Moretto, or in Italian Il Moretto da Brescia (the Moor of Brescia), was an Italian Renaissance painter from Brescia, where he also mostly worked.
Piero di Cosimo (2 January 1462 [1] – 12 April 1522), also known as Piero di Lorenzo, was an Italian Renaissance painter, who continued to use an essentially Early Renaissance style into the 16th century.