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The song was released in Europe in 1985 in its original, German-language version. For the international markets (United States, UK, Japan, etc.), several different single and extended mixes were produced by Rob Bolland; none of them were solely an English-language version, but the international single versions reduced the German lyrics.
The work is scored for two clarinets, two bassoons, two horns in E ♭, strings with divided violas, soprano, piano.. The aria consists of two sections, the recitative, 27 bars in G minor (" Ch'io mi scordi di te?") and the aria itself, 219 bars, a rondò in E-flat major (" Non temer, amato bene ").
Wolfgang Amadeus Mozart The song's lyrics repeatedly invoke the help of Mozart in regaining the singer's lost love. In the refrain, the singer expresses her wish to have the "magic flute's magic" ("trollflöjtens magi"), a reference to Mozart's opera The Magic Flute (The opera's title in Swedish is Trollflöjten .)
As a reaction, Falco began to experiment with English lyrics in an effort to broaden his appeal. He parted ways with Ponger and chose a new production team: the brothers Rob and Ferdi Bolland from the Netherlands. [7] Falco recorded "Rock Me Amadeus", inspired in part by the Oscar-winning film Amadeus, and the song became a worldwide hit in ...
Twelve Variations on "Ah vous dirai-je, Maman", K. 265/300e, is a piano composition by Wolfgang Amadeus Mozart, composed when he was around 25 years old (1781 or 1782). This piece consists of twelve variations on the French folk song " Ah! vous dirai-je, maman ".
" Leck mich im Arsch" (German for "Lick me in the arse") is a canon in B-flat major composed by Wolfgang Amadeus Mozart, K. 231 (K. 382c), with lyrics in German. It was one of a set of at least six canons probably written in Vienna in 1782. [ 1 ]
Giovanni Bertati is often given as the author of the opera's libretto, others credit Giuseppe Petrosellini; [4] however, neither is confirmed. [1]The aria is inserted at the end of act 1, scene 6, where Marchese Calandro wants to test his bride's Clorinda's fidelity – six and a half years later, in 1790, this was a central theme in Mozart's opera Così fan tutte.
Liebes Manndel, wo ist's Bandel?" Terzett für Sopran, Tenor und Baß mit Begleitung von zwei Violinen, Viola und Baß, KV 441: Score and critical report (in German) in the Neue Mozart-Ausgabe; Das Bandel, K. 441: Scores at the International Music Score Library Project; on YouTube, arranged for 2 boy sopranos, bass, 2 clarinets and basset horn; on YouTube, Zürcher Sängerknaben; This page was ...
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