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The song was released in Europe in 1985 in its original, German-language version. For the international markets (United States, UK, Japan, etc.), several different single and extended mixes were produced by Rob Bolland; none of them were solely an English-language version, but the international single versions reduced the German lyrics.
"Åh, Amadeus" is a song written by Freddie Hansson and Peo Thyrén, and recorded by Lena Philipsson at her 1986 debut album "Kärleken är evig" [1] This version peaked at Svensktoppen between 1 June-28 September 1986 and peaked at 7th position during a visit lasting for nine weeks. [2]
At the end of the song, the composer recalls the opening line in a touching 5-bar coda. [2] The piece is 65 bars long and a performance lasts about 2 + 1 ⁄ 2 minutes. Its key signature is G major; its meter is 2/4. The vocal range covers only the interval of a ninth, from F 4 to G 5.
" Leck mich im Arsch" (German for "Lick me in the arse") is a canon in B-flat major composed by Wolfgang Amadeus Mozart, K. 231 (K. 382c), with lyrics in German. It was one of a set of at least six canons probably written in Vienna in 1782. [1] Sung by six voices as a three-part round, it is thought to be a party piece for his friends. [2]
The original lyrics are probably by Mozart himself; [1] they include the words for "good night" in five different languages (Latin, Italian, French, English, and German). [2] [3] The phrase "gute Nacht, gute Nacht, / scheiß ins Bett daß' kracht", found in the fourth-to-last and third-to-last lines, closely resembles a similar expression found in a postscript to one of Wolfgang's letters by ...
Twelve Variations on "Ah vous dirai-je, Maman", K. 265/300e, is a piano composition by Wolfgang Amadeus Mozart, composed when he was around 25 years old (1781 or 1782). This piece consists of twelve variations on the French folk song " Ah! vous dirai-je, maman ".
Mozart's longest song, lasting 110 bars, in Alla breve time the key of F major. The varying music moods, wide ranging tonal scheme and contemplation of sadness is reminiscent of Schubert. The composer is in an unusually restrained and contemplative mood. A typical performance lasts around 5 minutes. [3] [4] [5]
The words to the aria have been thought to be by Lorenzo Da Ponte, [1] but they are in either case (K. 490 and K. 505), with the exception of the short recitative, exactly those of Giambattista Varesco's original Idomeneo libretto of 1781. Mozart entered the work on 27 December 1786 into his catalogue with the remark: "for Mlle Storace and me".