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In 1930 Plowman joined John Middleton Murry and Richard Rees in developing The Adelphi as a socialist monthly; Murry had founded it in 1923 as a literary journal (The New Adelphi, 1927–30); Rees edited it from 1930 to 1936, when he withdrew on account of Murry's commitment to pacifism, which increasingly became the magazine's theme; Murry resumed editorship until 1938, when Plowman took on ...
"Langland's Dreamer": from an illuminated initial in a Piers Plowman manuscript held at Corpus Christi College, Oxford. William Langland (/ ˈ l æ ŋ l ə n d /; Latin: Willielmus de Langland; c. 1330 – c. 1386) is the presumed author of a work of Middle English alliterative verse generally known as Piers Plowman, an allegory with a complex variety of religious themes.
The sole surviving manuscript of "The Plowman's Tale" (written in a 16th-century hand) was inserted at the end of The Canterbury Tales in a copy of Thomas Godfrey/Godfray's 1532 printed edition of Chaucer's Works (STC 5068), edited by William Thynne. (This is in PR 1850 1532 cop. 1 at the University of Texas Harry Ransom Center.)
In 1662, Thomas Fuller attributed the Prayer to "Robert Langland," then supposed by Robert Crowley and Bale to be the author of Piers Plowman, a poem whose author is now usually identified as William Langland). Fuller was familiar with Piers Plowman and with several separate editions of the Prayer, which he believed were printed by Tyndale and ...
Piers Plowman (written c. 1370–86; possibly c. 1377) or Visio Willelmi de Petro Ploughman (William's Vision of Piers Plowman) is a Middle English allegorical narrative poem by William Langland. It is written in un- rhymed , alliterative verse divided into sections called passus ( Latin for "step").
The resemblances to Piers Plowman are particularly numerous and close, leading Breeze to conclude that Iolo consciously drew on that poem, though Dafydd Johnston and Glanmor Williams have each argued that Iolo, Langland and Chaucer were all influenced by a common source, the body of Middle English sermons on social themes. [17] [18]
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A Lytell Geste how the Plowman lerned his Pater Noster (c. 1510), printed by Wynkyn de Worde and in circulation as late as 1560 and 1582. In it a Catholic priest is the figure of right religion while the plowman is an avaricious ignoramus. Perhaps broad sympathy for this point of view explains why Piers Plowman was not printed until 1550.