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The Paschal troparion or Christos anesti (Greek: Χριστός ἀνέστη) is the characteristic troparion for the celebration of Pascha (Easter) in the Byzantine Rite. Like most troparia, it is a brief stanza often used as a refrain between the verses of a psalm, but is also used on its own. It is sung in the first plagal (or fifth) tone ...
The Byzantine chant was added by UNESCO in 2019 to its list of Intangible Cultural Heritage "as a living art that has existed for almost 2,000 years, the Byzantine chant is a significant cultural tradition and comprehensive music system forming part of the common musical traditions that developed in the Byzantine Empire."
At Mount Athos, Russian monks learned the Byzantine neumatic notation for chant, which they readily adopted and brought back with them to Russia. This Byzantine chant quickly changed to a distinct Russian style, the Znamenny Chant. [3] The chant flourished and spread to the north (Novgorod principally) and southwest.
In the cathedral rite of Constantinople the koinonikon as a troparion became so elaborated, that it was sung without psalm recitation.. Easter koinonikon σῶμα χριστοῦ μεταλάβετε in echos plagios protos with the old cheironomies (hand signs) or Asmatikon notation and their transcription into Byzantine round notation in a manuscript of the 14th century (GR-KA Ms. 8, fol. 36v)
A sticheron (Greek: στιχηρόν "set in verses"; plural: stichera; Greek: στιχηρά) is a hymn of a particular genre sung during the daily evening (Hesperinos/Vespers) and morning offices, and some other services, of the Eastern Orthodox and Byzantine Catholic churches.
The chant genre offertorium in traditions of Western plainchant was basically a copy of the Byzantine custom, but there it was a proper mass chant which changed regularly. [ 3 ] Although its liturgical concept already existed by the end of the 4th century (see the homily by Chrysostom quoted here), the cherubikon itself was created 200 years ...
The Matins Gospel is the solemn chanting of a lection from one of the Four Gospels during Matins in the Orthodox Church and those Eastern Catholic churches which follow the Byzantine Rite. The reading of the Gospel is the highpoint of the service, and takes place near the end of the festive portion of the service known as the Polyeleos.
The monastery of Valaam has a unique tradition of singing, [6] called the Valaam chant, that combines some features of Byzantine and Znamenny chants. As in Byzantine chant, the singing is always in 2-parts, comprising a melody and an ison, but, as in Znamenny chant, the scale structure is always diatonic.