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"LA Devotee" is a song by American rock band Panic! at the Disco. It was released as the first promotional single from the band's fifth studio album, Death of a Bachelor, on November 26, 2015 (Thanksgiving Day) through Fueled by Ramen and DCD2. The song was written by Brendon Urie, White Sea and Jake Sinclair and was produced by Sinclair.
The first use of the term air de cour was in Adrian Le Roy's Airs de cour miz sur le luth (Book on Court Tunes for the Luth), [1] a collection of music published in 1571. The earliest examples of the form are for solo voice accompanied by lute; [2] towards the end of the 16th century, four or five voices are common, sometimes accompanied (or instrumental accompaniment may have been optional ...
Le Ton beau de Marot: In Praise of the Music of Language is a 1997 book by Douglas Hofstadter in which he explores the meaning, strengths, failings and beauty of translation. The book is a long and detailed examination of translations of a minor French poem and, through that, an examination of the mysteries of translation (and indeed more ...
The first Café-chantant was established in 1789 on the Champs-Élysées — (ink drawing from the collection of Hippolyte Destailleur). Café chantant (French pronunciation: [kafe ʃɑ̃tɑ̃]; French: lit. 'singing café'), café-concert, or caf’conc is a type of musical establishment associated with the Belle Époque in France. [1]
Just out of the surrealist experience of Les Six, Poulenc dared to bring the bawdy songs into the concert halls.On the one hand, the text of Les Chansons gaillardes comes from anonymous texts of the seventeenth century, written in a tone of celebration and alcohol: "texts rather scabrous", [3] according to Francis Poulenc himself.
Both Alfred Cortot (in La musique française de piano, PUF, 1932) and Francis Poulenc (Emmanuel Chabrier, 1961) discuss these short works enthusiastically. César Franck, at their premiere in 1881, remarked that those present had "just heard something exceptional. This music links our own time to that of Couperin and Rameau". [2]
Joseph Bodin de Boismortier (23 December 1689 – 28 October 1755) was a French baroque composer of instrumental music, cantatas, opéra-ballets, and vocal music. Boismortier was one of the first composers to have no patrons: having obtained a royal licence for engraving music in 1724, he made enormous sums of money by publishing his music for ...
Royal patronage was a major factor in the company's success since it ensured both a ready supply of new music from the court musicians and a market for its publications. [6] Over the following two decades other rival companies dropped out of the market and from the 1570s onwards Le Roy & Ballard enjoyed a virtual monopoly in music publishing.