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The Aphex Twin track "Funny Little Man", from the 1997 EP Come To Daddy, was one of the earliest songs to use Auto-Tune, released less than a month after Auto-Tune. [1] [14] The song "Fragments of Life" by the duo Roy Vedas was released on August 17, 1998, heavily using the distorted Auto-Tune technique.
The Gregory Brothers (using the YouTube username 'schmoyoho') first became well known for a series of YouTube videos, Auto-Tune the News (rebranded in 2011 as Songify the News), in which recorded voices of politicians, news anchors, and political pundits were digitally manipulated to conform to a melody, making the figures appear to sing.
The song was considered an example of French house's frequent use of audio filters, featuring heavily processed auto-tuned vocals. Thomas Bangalter, a member of Daft Punk, said: "A lot of people complain about musicians using Auto-Tune. It reminds me of the late '70s when musicians in France tried to ban the synthesizer...
Colorful costumes, endless radio play, and big-money music videos supported the top tunes throughout the '90s. In short, it was a time of musical triumph — and some of the decade’s biggest ...
Before making "D.O.A. (Death of Auto-Tune)", Kanye West and Jay-Z had recorded an Auto-Tune song. However, Kanye heard the instrumental by No I.D. and thought about making an anti-Auto-Tune song. They then removed all the songs that contained Auto-Tune from The Blueprint 3 to further their point. [3]
This use of Auto-Tune had been pioneered by Cher in her successful 1998 single "Believe". [83] T-Pain, who had been looking for a way to make his voice sound unique, was inspired to use Auto-Tune after hearing the Darkchild remix of the 1999 song "If You Had My Love" by Jennifer Lopez, which makes occasional use of the effect. [84]
Love, Loss, and Auto-Tune is a studio album by Swamp Dogg. It was released via Joyful Noise Recordings on September 7, 2018. [ 1 ] It peaked at number 7 on the Billboard Heatseekers Albums chart, [ 2 ] as well as number 28 on the Independent Albums chart.
He spoke of the song giving Kesha a "hussy image" but described the lyrics in a positive manner. [28] Levine said the use of auto-tune was "fun" and described Dr. Luke's backing track as "bouncy" and "bubblegummy". [28] The review highlighted the song's chorus with Levine calling it "stonking great" and "completely trashy in the best possible way."
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