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If you’re stretching canvas, you really, really should do so with a reliable pair of canvas pliers. Canvas that isn’t properly stretched can ruin the look of a painting; stretched paintings ...
The back of a stretched canvas, with keys inserted at the corner, and additional keys off to the side. A tightening key is a small wedge or shim used in the construction of a canvas stretcher frame with expandable joints. The key is inserted into the slotted inside the stretcher bars at the mitered corners of the frame to prevent or adjust sagging.
This method of stretching and preparing a canvas allows for a frame-less presentation of the finished painting. In contrast, a non-gallery wrap canvas is usually intended to be framed before presentation. The stretcher bars are often thinner, and the canvas can be secured at the sides with staples or tacks as the frame will hide them.
This allows the canvas to be re-tensioned later, as it has a natural tendency to stretch and sag over time. In contrast, strainer bars stretch canvas in a fixed (non-adjustable) way. The keys became popular in the 19th century. [2] A simpler form of stretcher employs butt joints to adhere the corners. The joint is pinned and glued into place ...
Canvas is a versatile, sturdy material that takes well to both acrylics and oils. Though stretched canvas first appeared in 14th-century Italy, the material was used only rarely by painters at the ...
Canvas on stretcher bar. Canvas has become the most common support medium for oil painting, replacing wooden panels. It was used from the 14th century in Italy, but only rarely. One of the earliest surviving oils on canvas is a French Madonna with angels from around 1410 in the Gemäldegalerie, Berlin.
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