Search results
Results from the WOW.Com Content Network
"The God Abandons Antony" refers to Plutarch's story of how Antony was besieged in Alexandria by Octavian.On the eve of Octavian's attack, suddenly in the middle of the night there were sounds of instruments and voices of a procession making its way through the city, stopped only at the gates of the city. [1]
Milton portrays God as often conversing about his plans and his motives for his actions with the Son of God. The poem shows God creating the world in the way Milton believed it was done, that is, God created Heaven, Earth, Hell, and all the creatures that inhabit these separate planes from part of Himself, not out of nothing. [ 26 ]
Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio.It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology.
The Argonauts come ashore here when Sthenelus (son of Actor) appeared to them on his tomb. They offered him libations and set up an altar to Apollo the Ship Preserver. Orpheus dedicated his lyre to the god and the place is now called Lyra. Sinope: Here they meet three companions of Heracles stranded after his expedition against the Amazons
"Rig in Great-grandfather's Cottage" (1908) by W. G. Collingwood. Rígsþula or Rígsmál (Old Norse: 'The Lay of Ríg') [1] is an Eddic poem, preserved in the manuscript (AM 242 fol, the Codex Wormianus), in which a Norse god named Ríg or Rígr, described as "old and wise, mighty and strong", fathers the social classes of mankind.
In Agony in the Garden, Jesus prays in the garden after the Last Supper while the disciples sleep and Judas leads the mob, by Andrea Mantegna c. 1460.. In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary [8] and the First Station of the Scriptural Way of the Cross (second station in the Philippine version).
"The Collar" is a poem by Welsh poet George Herbert published in 1633, and is a part of a collection of poems within Herbert's book The Temple. [1] The poem depicts a man who is experiencing a loss of faith and feelings of anger over the commitment he has made to God.
Considered the first of his prophetic books, it is also the first poem in which Blake used free septenaries, which he would go on to use in much of his later verse. Tiriel was unpublished during Blake's lifetime and remained so until 1874, when it appeared in William Michael Rossetti 's Poetical Works of William Blake . [ 1 ]