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Auditory induction in the brain is used to create a sense of illusory continuity, when a background noise is interrupted by a foreground noise. [4] Even when the foreground noise is completely removed and replaced, listeners still report being able to hear the foreground sound that was removed.
In Schenkerian analysis, a structural level is a representation of a piece of music at a different level of abstraction, with levels typically including foreground, middleground, and background. [1] According to Schenker musical form is "an energy transformation, as a transformation of the forces that flow from background to foreground through ...
Sound signal: a foreground sound; e.g. a dog, an alarm clock; messages/meaning is usually carried through sound signals. Sound object: the smallest possible recognizable sonic entity (recognizable by its amplitude envelope) Acousmatic: a description for sounds whose sources are out of sight or unknown. This also relates to acousmatic music.
Schenkerian analysis is a method of analyzing tonal music based on the theories of Heinrich Schenker (1868–1935). The goal is to demonstrate the organic coherence of the work by showing how the "foreground" (all notes in the score) relates to an abstracted deep structure, the Ursatz.
Found objects are sometimes used in music, often to add unusual percussive elements to a work. Their use in such contexts is as old as music itself, as the original invention of musical instruments almost certainly developed from the sounds of natural objects rather than from any specifically designed instruments. [2]
In music, a cloud is a sound mass consisting of statistical clouds of hundreds or thousands of microsounds [1] and characterized first by the set of elements used in the texture, secondly density, the number of events within a time period. [2] Clouds may include ambiguity of rhythmic foreground and background or rhythmic hierarchy. Examples ...
British Library Sounds (previously named Archival Sound Recordings) is a British Library service providing free online access to a diverse range of spoken word, music and environmental sounds from the British Library Sound Archive. Anyone with web access can use the service to search, browse and listen to 50,000 digitised recordings.
The term "soundscape" can also refer to an audio recording or performance of sounds that create the sensation of experiencing a particular acoustic environment, or compositions created using the found sounds (sounds derived from objects not standardly used for music) of an acoustic environment, either exclusively or in conjunction with musical ...