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Yemenite silver-work is noted for its intricate use of filigree and fine granulation. [2] [6] Jewellery containing a high silver content was called ṭohōr by local Jews, or muḫlaṣ in Arabic, and referred to jewellery whose silver content ranged from 85 to 92 percent, while the rest was copper.
In 1896 he built the company's first factory, installing state-of-the-art machines for the production of gold chain, previously manufactured entirely by hand. [3] Friedrich Speidel sent his three sons, Albert, Edwin and Eugene to America to establish a branch of the family's jewelry chain manufacturing business. [4]
A gold, diamonds and sapphires red guilloché enamel "Boule de Genève", a type of pendant watch used as an accessory for women. An example of an object which is functional, artistic/decorative, marker of social status or a symbol of personal meaning. Humans have used jewellery for a number of different reasons:
Jewellery of a Berber woman in the Musée du quai Branly, Paris. Jewellery of the Berber cultures (Tamazight language: iqchochne imagine, ⵉⵇⵇⵛⵓⵛⵏ ⵉⵎⴰⵣⵉⵖⵏ) is a historical style of traditional jewellery that was worn by women mainly in rural areas of the Maghreb region in North Africa and inhabited by Indigenous Berber people (in the Berber language Tamazight ...
The upper half of the necklace consists of twenty-four small diamonds threaded onto a silver chain. The lower half of the necklace is divided into two concentric semi-circular strands, each carrying eight pairs of slightly yellow "football-shaped" mine-cut diamonds and four pairs of barrel-cut emeralds, arranged symmetrically.
Women typically wore simpler pieces, such as gold chains, or strung beads or pearls. [11] By the end of the period, larger, more heavily adorned pieces were common among the wealthy, particularly in Italy. [11] 1500–1600: Long pearl ropes and chains with precious stones were commonly worn. [4]
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