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The pencil tree is a shrub or small tree with pencil-thick, green, smooth, succulent branches that reaches heights of up to 7 metres (23 ft). It has a cylindrical and fleshy stem with fragile succulent twigs that are 7 millimetres (0.28 in) thick, often produced in whorls, finely striated longitudinally.
Polyscias murrayi, known as the pencil cedar, is a very common rainforest tree of eastern Australia. It occurs as a secondary regeneration species in disturbed rainforest areas, often on hillsides. The tree is identified by cylindrical trunk; abruptly forking into many branches, and supporting an impressive dark canopy.
For centuries, until the 1970s, all engineering drawing was done manually by using pencil and pen on paper or other substrate (e.g., vellum, mylar). Since the advent of computer-aided design (CAD), engineering drawing has been done more and more in the electronic medium with each passing decade.
While a few drawings were done in black ink or pencil, most were finely enhanced with watercolor. Many were published in Flora Parisiensis , [ 53 ] by Poiteau and Turpin (1808) and some by Turpin (and Ernestine Panckoucke ) in Flore médicale [ 54 ] by François-Pierre Chaumeton (1814–1820).
Euphorbia as a small tree: Euphorbia dendroides. Euphorbia is a large and diverse genus of flowering plants, commonly called spurge, in the family Euphorbiaceae.. Euphorbias range from tiny annual plants to large and long-lived trees, [2] with perhaps the tallest being Euphorbia ampliphylla at 30 m (98 ft) or more.
Pencil drawings were not known before the 17th century, [1] with the modern concept of pencil drawings taking shape in the 18th and 19th centuries. [1] Pencil drawings succeeded the older metalpoint drawing stylus, which used metal instead of graphite. [1] Modern artists continue to use the graphite pencil for artworks and sketches. [1]
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Image Details Infernal Landscape. Type: Pen and brown ink Size: 25.9 x 19.7 cm Location: Private Collection Infernal Landscape previously thought to have been made by an assistant in the workshop of medieval Dutch artist Hieronymus Bosch has been authenticated as a piece by the master himself by the Bosch Research and Conservation Project (BRCP).
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