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The Valley of the Creuse, Sunset is a 1889 oil painting by the French artist Claude Monet, today in the collection of the Unterlinden Museum in Colmar, Alsace (inventory number 88.RP.371). It depicts the river Creuse at sunset in a landscape near Fresselines , where the poet Maurice Rollinat had a house in which Monet was a guest from March to ...
Eight Bells was the outgrowth of a series of oil paintings that Homer made using three wooden panels he found in the cabin of his brother's sloop at Prouts Neck, Maine.On two of the panels Homer painted scenes of mackerel fleets at Prouts Neck, one at dawn and the other at sunset; on the third he painted a grisaille study of the work that inspired Eight Bells, which depicted a ship's officer ...
The large painting (described by one source as "monumental" [1]) took years for the artist to complete; it was only at the urging of friends that Rousseau finished the scene. Rousseau is widely recognized for his melancholic landscape paintings, which made extensive use of a muted color palette. [ 2 ]
In each episode, Alexander taught techniques for landscape oil painting, completing a painting in each session, painting in a 16th-century style called alla-prima, now known as wet-on-wet. He was invited to record a pilot in late 1973 for KOCE. Alexander earned an Emmy for the show in 1979, making him the first painter to earn the award.
The water is still and the sunset is painted with a lighter color palette. The volcano creates contrast in the land formations featured in the scene and has smoke surrounding the top of it. The color palette is not dark and features lighter shades of purple with darker shades of blue that create the shadows and create contrast between the land ...
The center of the painting depicts the harvesting process, [8] a couple at work in a sea of yellow and ochre. Across the horizon is the town of Arles. [ 9 ] Van Gogh described the series of wheat fields as "…landscapes, yellow—old gold—done quickly, quickly, quickly, and in a hurry just like the harvester who is silent under the blazing ...
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Suppose I want to paint something recalling meditation or repose. If people do not feel that sensation when my work is completed, they do not appreciate nor realize the picture. The fact that they like it means nothing. Any one who can use paint and brushes can paint a true scene of nature — that is an objective picture.
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