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The Valley of the Creuse, Sunset is a 1889 oil painting by the French artist Claude Monet, today in the collection of the Unterlinden Museum in Colmar, Alsace (inventory number 88.RP.371). It depicts the river Creuse at sunset in a landscape near Fresselines , where the poet Maurice Rollinat had a house in which Monet was a guest from March to ...
The strips were seamed with tape; then oil paint was applied to the assembled picture for a tinted color effect. The name gradually was applied to any transparency lit from behind and used as a background picture for feature films or television production. Full-color printing of a Translight was first used on the motion picture One from the Heart.
The large painting (described by one source as "monumental" [1]) took years for the artist to complete; it was only at the urging of friends that Rousseau finished the scene. Rousseau is widely recognized for his melancholic landscape paintings, which made extensive use of a muted color palette. [ 2 ]
Impression, Sunrise (French: Impression, soleil levant) is an 1872 painting by Claude Monet first shown at what would become known as the "Exhibition of the Impressionists" in Paris in April, 1874. The painting is credited with inspiring the name of the Impressionist movement. Impression, Sunrise depicts the port of Le Havre, Monet's hometown.
The Sunset Scene [1] is a window glass artwork created by Tiffany Studios around 1915. This artwork was created to symbolize the distinct line between life and death.Tiffany Studios manufactured many stained glass pieces, the scene was one of a couple of windows created for Mount Hope Cemetery [2] in Rochester New York.
Georges Seurat, Study for "A Sunday Afternoon on La Grande Jatte", 1884, oil on canvas, 70.5 x 104.1 cm, Metropolitan Museum of Art, New York Georges Seurat painted A Sunday Afternoon between May 1884 and March 1885, and from October 1885 to May 1886, focusing meticulously on the landscape of the park [2] and concentrating on issues of colour, light, and form.
Oil on canvas: 43.82 × 69.14 cm: Private collection The Wreck: 1852: Oil on canvas: 76.2 × 116.84 cm: The Parthenon, United States Grand Manan Island, Bay of Fundy: 1852: Oil on canvas: 55.4 × 81.12 cm: Public collection Home by the Lake: 1852: Oil on canvas: 81.28 × 122.55 cm: Public collection Coast Scene: 1852: Oil on canvas: 20 in × 30 ...
In each episode, Alexander taught techniques for landscape oil painting, completing a painting in each session, painting in a 16th-century style called alla-prima, now known as wet-on-wet. He was invited to record a pilot in late 1973 for KOCE. Alexander earned an Emmy for the show in 1979, making him the first painter to earn the award.
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