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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts):
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention.
4.111 Philosophy is not one of the natural sciences. (The word "philosophy" must mean something whose place is above or below the natural sciences, not beside them.) 4.112 Philosophy aims at the logical clarification of thoughts. Philosophy is not a body of doctrine but an activity. A philosophical work consists essentially of elucidations.
Logical, rational or general grammar was the dominant approach to language until it was supplanted by romanticism. [3] Since then, there have been attempts to revive logical grammar. The idea is today at least partially represented by categorial grammar , formal semantics , and transcendental phenomenology ,
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Poe stated that he composed the poem in a logical and methodical manner, aiming to craft a piece that would resonate with both critical and popular audiences, as he elaborated in his follow-up essay in 1846, "The Philosophy of Composition". The poem was inspired in part by a talking raven in the 1841 novel Barnaby Rudge by Charles Dickens. [3]