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The House of Yi, also called the Yi dynasty (also transcribed as the Lee dynasty), was the royal family of the Joseon dynasty and later the imperial family of the Korean Empire, descended from the Joseon founder Yi Seong-gye. All of his descendants are members of the Jeonju Yi clan.
Imperial Noble Consort Shujia's family was born into the Korean Gin clan, a family originally from Uiju, Joseon, which surrendered to the Qing Dynasty and eventually moved to China during the Qing invasion of Joseon in 1636. [1] Her family was very influenced by Manchurian culture and was later moved into a Manchu banner. [2]
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Other close advisers to the emperor included Jian Yi (Minister of Personnel from 1402–1422 and 1423–1435) [13] and Xia Yuanji (Minister of Revenue from 1402–1421 and 1424–1430). [7] [13] Even after the Xuande Emperor's death, the composition of the most influential officials and the grand secretaries remained unchanged. As a result, the ...
Korean clans are groups of people that share the same paternal ancestor. They are indicated by the combination of a bongwan (Korean: 본관; lit. place of origin) and a family name. [1] Korean clans distinguish clans that happen to share the same family name. The bongwan identifies descent groups by geographic place of origin. [2]
In 1901, Korea deployed police in Jiandao, and this continued until 1906. [7] The Korean Government sent Yi Beom-yun, who was not part of the Imperial Korean Army, as a Jiandao observer to invade Jiandao in 1903. [8] In Jiandao, Yi established Sa-po dae, which was a militia consisting of both a righteous army, and Imperial
As a family name, Ji may be written with either of two hanja, one meaning "wisdom" (), and the other meaning "pond" ().Each has one bon-gwan: for the family name meaning "wisdom", Pongju Village, Pongsan County, North Hwanghae in what is today North Korea, and for the family name meaning "pond", Chungju, Chungcheongbuk-do in what is today South Korea. [1]
The opera is based on Can Xue's published short story "The Double Life". In this opera, a young artist named Jian Yi is deconstructed into different aspects played by different roles. They crosstalk to each other on stage; drying and bubbling-up of the spring symbolize loss and regain of one's own identity.