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The Virgin and Child from the Sainte-Chapelle is an ivory sculpture probably created in the 1260s, currently in the possession of the Louvre Museum in Paris.The museum itself describes it as "unquestionably the most beautiful piece of ronde-bosse [in the round] ivory carving ever made", [1] and the finest individual work of art in the wave of ivory sculpture coming out of Paris in the 13th and ...
A simple Italian Virgin and Child by Carlo Crivelli, c. 1470. Virgin and Child or Madonna and Child or Mary and Child usually refers to artistic depictions of Mary and Child Jesus together, as part of both Catholic and Orthodox church traditions, and very notably in the Marian art in the Catholic Church.
The Virgin and the laughing Child, Leonardo da Vinci, from Victoria and Albert Museum, London [1] The Virgin and Laughing Child, also called The Virgin with the laughing Child, or generally abbreviated as another of many depictions of the Virgin and Child, [1] is a statuette originating in Florence and was made circa 1460. [1]
Robert Campin, The Virgin and Child before a Firescreen, c. 1430, National Gallery, London. The panel is the smallest extant work by van der Weyden [2] and follows the tradition of a Madonna Lactans, with significant differences. Christ is dressed in a red garment, as opposed to the swaddling he usually wears in 15th-century Virgin and Child ...
It is a rare English example of this type, similar contemporary statuettes are more common in French art. Yet it is of the highest quality; the art historian William Wixom wrote that "the face is exquisitely rendered, the slight twist of the figure is subtle and eloquent, as the Virgin turns to the Child, and the deep drapery folds, some paper ...
While staring intently at the viewer his exaggeratedly long finger points backwards and upwards to the Virgin and Child, who are seated in a burst of light against dark grey storm clouds. St. John's raised right arm and upwards-pointing finger are reminiscent of Leonardo's painting St. John the Baptist. The Virgin sits on the crescent moon in a ...
During Mel and Jack's first dance — to a song performed by Mel's father, Everett (John Allen Nelson), which was actually written by Wesley Schultz of the Lumineers for the show — Breckenridge ...
The work is part of a series of sacred conversations in a landscape, dating back more or less to the same years made by Titian. In the Edinburgh canvas too, the pictorial space is divided into two asymmetrical halves, one dominated by shadow and other by an open landscape; in the foreground, the luminous figures of the Virgin and Child stand out, between the two saints arranged around her with ...
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