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Lou Donaldson playing a Selmer Mk VI alto Selmer Mark VI tenor saxophone Concert model with high F#, right hand G#, D to E flat trill and C to D trill using the palm key E flat. The Selmer Mark VI is a saxophone produced from 1954 to 1981. Production shifted to the Mark VII for the tenor and alto in the mid-1970s (see discussion of serial ...
Further ergonomic improvements were offered with the Mark VI introduced in 1953, which became the most widely used professional class saxophone produced in the mid twentieth century. King was the first manufacturer other than Selmer to adopt table key mechanisms derived from those of the Balanced Action, in 1949. By the late 1960s, the new ...
Koz plays a Yamaha silver alto sax (YAS-62S Mk. I) with a No. 7 Beechler metal mouthpiece, a Yamaha straight silver Soprano sax (YSS-62S) or a vintage Conn curved soprano sax with a No. 8 Couf mouthpiece, and a Selmer Mark VI Tenor sax with a Berg-Larsen 90/2 hard rubber mouthpiece. As for reeds, he uses a No. 3 Rico Plasticover. [22]
Rollins has played, at various times, a Selmer Mark VI [95] tenor saxophone and a Buescher Aristocrat. [96] During the 1970s he recorded on soprano saxophone for the album Easy Living . His preferred mouthpieces are made by Otto Link and Berg Larsen. [ 97 ]
The saxophone has had a thumb rest since its creation in 1849. [ 11 ] [ 12 ] The Selmer Mark VI saxophone model from Henri Selmer Paris , which revolutionised the ergonomics of this instrument when it was introduced in 1954, had an adjustable thumb rest made of plastic or metal.
Quiet City for trumpet, alto saxophone, B ♭ clarinet (doubling bass clarinet), and piano (1939)—Aaron Copland; Quartet No. 1 for Trumpet, Tenor Saxophone, Piano and Percussion (1950/1954)—Stefan Wolpe [59] All Set for alto saxophone, tenor saxophone, trumpet, trombone, bass, piano, vibraphone, and percussion (1957)—Milton Babbitt [60]
Mule's lack of enthusiasm may have been partly because, in the original key of F major, the solo part extends into the altissimo register, with frequent occurrences of the (notated) high F ♯ and G. Mule owned a Selmer Mark VI soprano saxophone, which does not have the keywork required to quickly and easily play in this extended range. [8]
A bass saxophone in C, intended for orchestral use, was included in Adolphe Sax's patent, but few known examples were built. The bass saxophone is not a commonly used instrument, but it is heard on some 1920s jazz recordings, in free jazz, in saxophone choirs and sextets, and occasionally in concert bands and rock music.
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