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The Bhimbetka rock shelters are an archaeological site in central India that spans the Paleolithic and Mesolithic periods, as well as the historic period. [ 1 ] [ 2 ] It exhibits the earliest traces of human life in India and evidence of the Stone Age starting at the site in Acheulian times.
The history of cave paintings in India or rock art range from drawings and paintings from prehistoric times, beginning in the caves of Central India, typified by those at the Bhimbetka rock shelters from around 10,000 BP, to elaborate frescoes at sites such as the rock-cut artificial caves at Ajanta and Ellora, extending as late as 6th–10th century CE.
Indian painting has a very long tradition and history in Indian art. [1] The earliest Indian paintings were the rock paintings of prehistoric times, such as the petroglyphs found in places like the Bhimbetka rock shelters.
The Bhimbetka caves show evidence of paleolithic settlements in present-day Madhya Pradesh. [1] Stone Age tools have also been discovered at various places along the Narmada river valley. [ 2 ] Rock shelters with cave paintings , the earliest of which can be dated to 30,000 BCE, have also been discovered at a number of places. [ 3 ]
Art of the European Upper Paleolithic includes rock and cave painting, jewelry, [12] [13] drawing, carving, engraving and sculpture in clay, bone, antler, [14] stone [15] and ivory, such as the Venus figurines, and musical instruments such as flutes.
Bhimbetka pre-historic rock cave painting near Bhopal include 500 sandstone caves and shelters. These are dated to range from 12,000 years ago to chalcolithic era of human history. They are a UNESCO World Heritage site. [144] Bhimbetka Caves are about 35 kilometres from Bhopal city. They have evidence of dwellings of pre-historic man during the ...
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The increase in discourse about Indian art, in English as well as vernacular Indian languages, changed the way art was perceived in the art schools. Critical approach became rigorous; critics like Geeta Kapur, R. Siva Kumar, [56] [57] Shivaji K. Panikkar, Ranjit Hoskote, amongst others, contributed to re-thinking contemporary art practice in India.