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Bill Douglas (born November 7, 1944) is a Canadian musician, composer, pianist, and bassoonist whose works received influence from classical music, jazz, African, Brazilian [clarification needed] and Indian music, 1970s funk and many other genres. He has toured and recorded for thirty years with clarinetist Richard Stoltzman.
"A Forest Hymn" is an 1824 poem written by William Cullen Bryant, [1] which has been called one of Bryant's best poems, [2] and "one of the best nature poems of that age". [3] It was first published in Boston in the United States Literary Gazette along with several other poems written by Bryant.
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"I'm Working on a Building" is a song in both the African American spiritual and southern gospel traditions. The song has become a standard of the genres. It has been recorded many times, by artists such as The Carter Family, [1] Bill Monroe, [2] Elvis Presley, [3] the Oak Ridge Boys, [3] B. B. King, [4] John Fogerty, [5] The Seldom Scene, [6] and Theo Lawrence.
The hymn is repeated in Taittiriya Brahmana and interpreted by the commentator of that work. [6] Aranyani bears resemblance to latter day forest deities like Banbibi in West Bengal, Vanadevata in Goa and Konkan region, Vanadurga in parts of South India. Her worship has declined in modern-day Hinduism, and it is rare to find a temple dedicated ...
Deep Forest is the first studio album by the musical group Deep Forest, consisting of French duo Éric Mouquet and Michel Sanchez. The album mixes New Age electronics with UNESCO field recordings of music from the Democratic Republic of the Congo, the Solomon Islands, Burundi, Tibesti, and the Sahel.
Manzanita is considered a breakthrough album that combines traditional bluegrass and folk songs with more progressive playing. It shows not only Tony Rice's instrumental and vocal talent, but also his strong all-star back-up band, consisting of Sam Bush, Ricky Skaggs, Jerry Douglas, David Grisman, Darol Anger and Todd Phillips.
Made in Japan is a live album by French group Deep Forest, released in 1999. [2] The recording took place on 9 September 1998, during Deep Forest's tour in Japan, with nine musicians joining the group on the stage. The band placed an emphasis on improvisation and playing the songs differently from the recordings.