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Bernard Herrmann (born Maximillian Herman; June 29, 1911 – December 24, 1975) was an American composer and conductor [1] best known for his work in film scoring. As a conductor, he championed the music of lesser-known composers.
Bernard Herrmann: Henry V: William Walton: Humoresque: Franz Waxman: The Killers: Miklós Rózsa: Scoring of a Musical Picture: The Jolson Story: Morris Stoloff: Blue Skies: Robert Emmett Dolan: Centennial Summer: Alfred Newman: The Harvey Girls: Lennie Hayton: Night and Day: Ray Heindorf and Max Steiner: 1947; Music Score of a Dramatic or ...
Wuthering Heights was never staged in Herrmann's lifetime, despite a number of attempts on his part. One of the few opportunities to mount a staged production during Herrmann's lifetime was one offered by Julius Rudel, but either because Rudel insisted on cuts and a different, up-beat ending, which the composer refused to permit, [5] or because of scheduling challenges [1] – sources differ ...
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The album includes three adaptations of Bernard Herrmann's score to the original by Danny Elfman.Elfman's adaptation was later released on a separate album. The only released recordings of the original score are new performances by other orchestras, although the 1975 recording was conducted by the composer, Bernard Herrmann.
The production boasted a script and lyrics by noted American playwright Maxwell Anderson, and a score by Bernard Herrmann. Fredric March , in his only known portrayal of the role, starred as Ebenezer Scrooge, and Basil Rathbone portrayed Marley's Ghost.
Music for the Movies: Bernard Herrmann is a 1992 documentary film directed by Joshua Waletzky. It was nominated for an Academy Award for Best Documentary Feature. [1]
There is a bit of music lifted from Bernard Herrmann's 'Vertigo' score, a breakfast-table montage inspired by 'Citizen Kane' and a story line that makes 'The Artist,' in essence, the latest (and also in a way the earliest, but surely not the last) remake of A Star Is Born".