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"Arthur McBride" – an anti-recruiting song from Donegal, probably originating during the 17th century. [1]"The Recruiting Sergeant" – song (to the tune of "The Peeler and the Goat") from the time of World War 1, popular among the Irish Volunteers of that period, written by Séamus O'Farrell in 1915, recorded by The Pogues.
The song traces back from at least 1869, in The Wearing Of The Green Songbook, where it was sung with the melody of the music "The Wearing of the Green", and not with the more melancholic melody we know today. [2] Another early publication of the song was in a 19th-century publication, The Irish Singer's Own Book (Noonan, Boston, 1880). [3]
Nicholas Carolan, Director Emeritus, holding a lecture at the "Craiceann Bodhrán Festival" 2014. The archive has published two major printed publications deriving from historical manuscript collections of Irish traditional music: Tunes of the Munster Pipers: Irish Traditional Music from the James Goodman Manuscripts, 500 pre-Famine melodies edited by Dr Hugh Shields from a Trinity College ...
This upbeat song by Irish band, The Corrs, landed on the Billboard Hot 100 in 2001 and remains a popular radio staple with its infectious beat and ear-worm lyrics.
In October 2017, a song cycle 15 years in the making [9] was released, chronicling stories of the great Irish famine. A culmination of 25 books on the history of Irish workhouses and one of Ireland's darkest histories, Chronicles of the Great Irish Famine featured some of the best musicians the Irish traditional music world has to offer. [10]
"The Fields of Athenry" is a song written in 1979 by Pete St. John in the style of an Irish folk ballad. Set during the Great Famine of the 1840s, the lyrics feature a fictional man from near Athenry in County Galway, who stole food for his starving family and has been sentenced to transportation to the Australian penal colony at Botany Bay.
Performers of popular music began appearing as early as the late 1940s; Delia Murphy popularised Irish folk songs that she recorded for HMV in 1949; Margaret Barry is also credited with bringing traditional songs to the fore; Donegal's Bridie Gallagher shot to fame in 1956 and is considered 'Ireland's first international pop star'; [29] Belfast ...
Presented as a series of letters, the ballad has five stanzas covering the time period from 1860 to 1892. [7] The ballad conveys "the effects of poverty, famine and emigration on one Irish family" [1] while also expressing the universal theme of the sadness and longing experienced by families who have been separated permanently by emigration.