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Pages in category "Films based on plays by Oscar Wilde" ... A Woman of No Importance (1921 film) A Woman of No Importance (1936 film) A Woman of No Importance (1937 film)
The screenplay by Howard Himelstein is based on the 1892 play Lady Windermere's Fan by Oscar Wilde. It is the fourth screen version of the work, following a 1916 silent film using Wilde's original title, Ernst Lubitsch's 1925 version, and Otto Preminger's 1949 adaptation entitled The Fan.
Films based on The Picture of Dorian Gray (14 P) Pages in category "Films based on works by Oscar Wilde" The following 4 pages are in this category, out of 4 total.
The Importance of Being Earnest is a 1952 British comedy drama film adaptation of the 1895 play by Oscar Wilde. [2] It was directed by Anthony Asquith, who also adapted the screenplay, and was produced by Anthony Asquith, Teddy Baird, and Earl St. John. [3]
The story takes place in London, 1895. The main characters are Mrs. Laura Cheveley, who has recently returned to Britain after living in Vienna; Sir Robert Chiltern, a government minister with a reputation for honesty; his wife Gertrude, who disapproves strongly of immorality and dishonesty; Mabel Chiltern, Sir Robert's younger sister; Arthur, Viscount Goring, an unmarried and unconventional ...
Wilde’s first job was as a casting assistant, while her first role was the TV show “Skin,” followed by “The O.C.” Her first feature as director would come at the age of 34 with ...
The film's title alludes to the children's story by Oscar Wilde, The Happy Prince and Other Tales, which Wilde would read aloud to his children. [3] The film was released in Italy on 12 April 2018, in the United Kingdom on 15 June 2018 and in the United States on 10 October 2018 to positive reviews from critics.
The Importance of Being Earnest is a 1992 American film adaptation of the 1895 play of the same name by Oscar Wilde, featuring an all-black cast. [1] [2]Director Kurt Baker co-wrote the screenplay with Peter Anthony Andrews, retaining most of Wilde’s dialogue and the setting around London, but moving it to the (then) present day rather than the original’s late Victorian period. [3]