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The tonalities depicted in these two transitions represent, according to Charles Fisk, three distinct tonal strata, conveying contrasting moods, which dominate the entire sonata (these are: B ♭ –F major; G ♭ –D ♭ major; and C ♯ –F ♯ minor). Schubert's mature music often manipulates the listener's sense of time and forward movement.
IV. Rondo. Allegretto (D 506) D 568, Piano Sonata in D-flat major/E-flat major (1817, 2 versions; for the 1st version, the Scherzo in D-flat major, D 593 No. 2 possibly constitutes the third movement; the last movement is a fragment; NSA also appends an amended first movement from the 1st version; 2nd version first published as Op. posth. 122)
Schubert's last sonatas#Sonata in B♭ major, D. 960 To a section : This is a redirect from a topic that does not have its own page to a section of a page on the subject. For redirects to embedded anchors on a page, use {{ R to anchor }} instead .
Piano Sonata in A-flat major, D 557 (Schubert) Piano Sonata in B major, D 575 (Schubert) Piano Sonata in B-flat major, D 960 (Schubert) Piano Sonata in C major, D 279 (Schubert) Piano Sonata in C major, D 613 (Schubert) Piano Sonata in C major, D 840 (Schubert) Piano Sonata in C minor, D 958 (Schubert) Piano Sonata in C-sharp minor, D 655 ...
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Schubert's last sonatas: Piano Sonata in C minor, D 958 – Piano Sonata in A major, D 959 – Piano Sonata in B-flat major, D 960 Romantic (ca 1830 – ca 1900) [ edit ]
Piano Sonata in D-flat major: Sonate in Des ♫ June 1817 7 the Scherzo in D-flat major, D 593 No. 2 possibly constitutes the third movement; the last movement is a fragment; NSA also appends an amended first movement from the 1st version . I. Allegro moderato II. Andante molto III. Scherzo. Allegro moderato – Trio (D 593 No. 2) IV.
Franz Liszt's comprehensive "three-movements-in-one" Sonata in B minor draws on the concept of thematic transformation first introduced by Schubert in his Wanderer Fantasie of 1822. Piano sonatas have been written throughout the 19th and 20th centuries and up to the present day.