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Humanismo y religión en Sor Juana Inés de la Cruz. Ciudad de Mexico: Universidad Nacional Autónoma de Mexico, 1983. Benoist, Valérie. “‘El escribirlo no parte de la osadía: Tradición y mímica en la loa para El divino Narciso de Sor Juana Inés de la Cruz.” Latin American Theatre Review. 33. (1999): 73-90. Web. 27 Nov. 2011
Sor Juana penned The House of Desire in celebration of José, the son of Tomás de la Cerda y Aragón and wife María Luisa Manrique de Lara y Gonzaga (nicknamed "Lysi" by the nuns in her community), who were Marquises of La Laguna and Viceroys of New Spain, as well as significant patrons of the poet. [10]
Juana Inés de Asbaje y Ramírez de Santillana, better known as Sor Juana Inés de la Cruz [a] OSH (12 November 1651 – 17 April 1695), [1] was a New Spain (considered Mexican by many authors) [2] writer, philosopher, composer and poet of the Baroque period, as well as a Hieronymite nun, nicknamed "The Tenth Muse" and "The Phoenix of America" by her contemporary critics. [1]
Sor Juana agrees. A political enemy of the Archbishop's encourages Sor Juana to write a rebuttal to one of the favourite theologians of the Archbishop. Sor Juana obliges believing the paper is for private circulation. However the work is published along with an attack on Sor Juana condemning her entire oeuvre. In Spain the first volume of Sor ...
Sor Juana Inés de la Cruz (1651-1695) Sor Juana is said to have written hundreds of loas or autos (sacred) and for comedias (secular) in Peru and New Spain but only 18 remain. She is the most prolific writer of loas in Spanish America, having written 18 of the 36 extant loas. [ 10 ]
Latin American women have been a force of innovation in poetry in Spanish since the sonnets and romances by Sor Juana Inés de la Cruz in the 17th century. [25] [26] Sor Juana's poems spanned a range of forms and themes of the Spanish Golden Age, and her writings display inventiveness, wit, and a vast range of secular and theological knowledge ...
Her published work includes Sor Juana Inés de la Cruz: Feminist Reconstruction of Biography and Text where she identifies de la Cruz's life and work as a precursor to current ecofeminist theologies. [ 8 ] [ 9 ] This book is the basis for her 2019 Ted-Ed Animation entitled History’s Worst Nun documenting the details of 17th century Mexican ...
possibly to invoke a childlike and uneducated stereotype of that marginalized group. Other negrillo lyrics, however, offer intriguing fraternal sentiments, such as the negro for Jan. 31, 1677 by the famed villancico poet Sor Juana Inés de la Cruz, which sings "tumba, la-lá-la, tumba la-lé-le/wherever Peter enters, no one remains a slave". [4]