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Euphrosyne is a goddess of good cheer, joy and mirth. [8] Her name is the female version of the word euphrosynos, "merriment". Pindar wrote that these goddesses were created to fill the world with pleasant moments and good will. [9] The Charites attended the goddess of beauty Aphrodite. [10] In art, Euphrosyne is usually depicted with her ...
Under the word or heading; abbreviated s.v. Used to cite a work, such as a dictionary, with alphabetically arranged entries, e.g. "Oxford English Dictionary, s.v. 'horse. ' "" sublimis ab unda: Raised from the waves: Motto of King Edward VII and Queen Mary School, Lytham subsiste sermonem statim: stop speaking immediately: Succisa virescit
Mahakali (Sanskrit: महाकाली, romanized: Mahākālī) is the Hindu goddess of time and death in the goddess-centric tradition of Shaktism. She is also known as the supreme being in various tantras and Puranas. Similar to Kali, Mahakali is a fierce goddess associated with universal power, time, life, death, and both rebirth and ...
Besides Ceto, Gaia (Earth) and Pontus had four other offspring, Nereus, Thaumas, Phorcys and Eurybia. [2] Hesiod's Theogony lists the children of Ceto and Phorcys as the two Graiae: Pemphredo and Enyo, and the three Gorgons: Sthenno, Euryale, and Medusa, [3] with their last offspring being an unnamed serpent (later called Ladon, by Apollonius of Rhodes) who guards the golden apples. [4]
According to the Monier-Williams dictionary, the term Shakti (Śakti) is the sanskrit feminine word-meaning "energy, ability, strength, effort, power, might, capability"—thereby implying "capacity for" doing something, or "power over" anything. [1] [8] Shakti is also considered feminine noun of linguistic term Sanskrit. [9]
Erato is the Muse of lyric poetry, particularly erotic poetry, and mimic imitation. In the Orphic hymn to the Muses, it is Erato who charms the sight. Since the Renaissance she has mostly been shown with a wreath of myrtle and roses, holding a lyre, or a small kithara, a musical instrument often associated with Apollo. [2]
The Triumph of the Goddess: The Canonical Models and Theological Visions of the Devi-Bhagavata Purana. State University of New York Press. ISBN 978-0791403648. Brown, C. Mackenzie (1998). The Devī Gītā: The Song of the Goddess: A Translation, Annotation, and Commentary. State University of New York Press. ISBN 978-0791439401. Dalal, Roshen ...
As a personification, she was sometimes imagined as a goddess and sometimes an abstract power with her name used both as a common and proper noun. [4] There is evidence that Peitho was referred to as a goddess before she was referred to as an abstract concept, which is rare for a personification. [5]