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Cello Concerto (1954) [7] Péter Eötvös. Cello Concerto Grosso (2010-2011) Frederic d'Erlanger. Andante Symphonique for Cello and Orchestra, Op. 18 (1903) Ballade for Cello and Orchestra (1926) Iván Erőd. 3 movements for Cello and Chamber Orchestra, Op. 7 (12 min) (1958) Cello Concerto for Cello and Orchestra, Op. 80 ( 25 min) (2005 ...
Music (1971) Stefan Wolpe. Piece Alone (1966) William Wordsworth. Sonata for Violoncello (1961) [38] Charles Wuorinen. Cello Variations I to Fred Sherry (1970) Cello Variations II (1975) Cello Variations III (1997)
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Gita in gondola / La Danza for cello and piano; Les Fiancés, Op. 7 for cello and piano; Mazurka Sentimentale, Op. 6 for cello and piano; Notturno, Op. 20 for cello and piano; Ossian's song, Ballad for cello and piano; Passetemps Sentimental, Op. 4; Pioggia d’Aprile for cello and piano; Sérénade Italienne, Op. 17 for cello and piano
A cello sonata is piece written sonata form, often with the instrumentation of a cello taking solo role with piano accompaniment. [1] Some of the earliest cello sonatas were composed in the 18th century by Francesco Geminiani and Antonio Vivaldi, and since then other famous cello sonatas have grown to those by Johannes Brahms, Ludwig van Beethoven, Felix Mendelssohn, Fryderyk Chopin, and ...
In music pieces, con sord means "with mute" in Italian, and senza sord means "without mute". The mute is a device that is typically made of rubber, and serves to dampen the vibrations on string instruments. On the cello, it can be clipped on the bridge when needed, and can be taken off and attached to the strings below the bridge when not in ...
The cello carries the main thematic material, with the piano providing a harmonically varied accompaniment. In the major-key middle section, the piano bears the melodic theme before it passes to the cello. The middle section ends with a forceful passage in which the piano and cello exchange vehement themes.
Duport was a French cellist who, along with his brother Jean-Pierre Duport, revolutionized the performance of the cello. Only few of Duport's concert works are remembered today. [1] His Études for Cello, however, remain foremost in cello practice, despite being over 200 years old. They were primarily composed by Duport himself, although the ...