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An evil, "cruelly malicious person who is involved in or devoted to wickedness or crime; scoundrel; or a character in a play, novel, or the like, who constitutes an important evil agency in the plot". [112] The antonym of a villain is a hero. The villain's structural purpose is to serve as the opposition of the hero character and their motives ...
The Malleus Maleficarum, [a] usually translated as the Hammer of Witches, [3] [b] is the best known treatise about witchcraft. [6] [7] It was written by the German Catholic clergyman Heinrich Kramer (under his Latinized name Henricus Institor) and first published in the German city of Speyer in 1486.
For the first six episodes, the audience has been led to believe that series protagonist Catherine Ravenscroft (Cate Blanchett), is a horrible, malicious person, a negligent mother and rapacious ...
Count Dracula is an example of a villain in classic literature and film. Theme from Mysterioso Pizzicato, a cliché silent movie cue for villainy Play ⓘ. A villain (also known as a "black hat" or "bad guy"; the feminine form is villainess) is a stock character, whether based on a historical narrative or one of literary fiction.
Rogue literature is an important source in understanding the everyday life of the ordinary people and their language, and the language of thieves and beggars. This genre can be related to the stories of Robin Hood and jest book literature, as well as early examples of the first voice in fiction and autobiography. [1]
Transgressive fiction is a genre of literature which focuses on characters who feel confined by the norms and expectations of society and who break free of those confines in unusual or illicit ways. [ 1 ]
In Theory and History of Folklore, Vladimir Propp discusses alleged examples of ritual laughter accompanying death and killing, all involving groups. These he characterized as sardonic laughter: Among the very ancient people of Sardinia, who were called Sardi or Sardoni, it was customary to kill old people. While killing their old people, the ...
Eavesdropper Eve, malicious attacker Mallory, opponent Oscar, and intruder Trudy are all adversarial characters widely used in both types of texts. This notion of an adversary helps both intuitive and formal reasoning about cryptosystems by casting security analysis of cryptosystems as a 'game' between the users and a centrally co-ordinated enemy.