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Traditional Shan art typically had a Buddha with the characteristic monk's robes, or adorned with a crown and decorated with various other mediums like putty and glass. [3] Shan sculptures are distinctive and easily recognizable when looking through the history of Burmese Buddhist art.
Weddings are considered one of the Twelve Auspicious Rites in Burmese culture. Traditional Burmese folklore considers love to be destiny, as the Hindu god Brahma writes one's destiny in love on a child's brow when he or she is six days old, called na hpuza (နဖူးစာ, lit. "destiny on the forehead"). A Burmese wedding can be religious ...
Founded in 1952, the five-storey museum has an extensive collection of ancient artifacts, ornaments, work of art, inscriptions and historic memorabilia, related to history, culture and civilization of Burmese people. [1] The main attraction of the museum is the only surviving original Lion Throne of the Burmese monarchs. There are more than ...
Tributary gifts bestowed to the Burmese royal court may also have provided an additional source of inspiration. [5] The textile became popular during the Konbaung dynasty, during which sumptuary laws regulated who could wear acheik clothing. [6] The acheik pattern was exclusively worn by members of the royal court, officials, and their ...
Besides the older National Museum of Myanmar in Yangon, it is the second of the two national museums for Burmese art, history and culture in Myanmar. [1] The construction of the museum was started on 3 June 2010, and the museum was opened on 15 July 2015. [2] The museum is open from 9:30 am to 4:30 pm, except on Mondays and public holidays.
The Burmese ascribe a flower to each of the twelve months of the traditional Burmese calendar. [1] However, two flowers are seen as national symbols. The padauk ( Burmese : ပိတောက် ) is referred to as the national flower of Myanmar and is associated with the Thingyan period (Burmese New Year, usually mid-April).
Burmese ceramics refers to ceramic art and pottery designed or produced as a form of Burmese art. The tradition of Burmese ceramics dates back to the third millennium BCE. Pottery and ceramics were an essential part of the trade between Myanmar and its neighbours. The village of Kyaukmyaung (Sagaing) is an important traditional production centre.
These newer Buddhist sites, a combination of modern and traditional Burmese style, are found throughout Myanmar and include monasteries, pagodas and the International Theravada Buddhist Missionary University. [48] The crown umbrella atop the Shwedagon Pagoda, which was donated by King Mindon in 1871, was replaced in the spring of 1999. [3]