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"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
Lee said that To Kill a Mockingbird is not an autobiography, but rather an example of how an author "should write about what he knows and write truthfully". [15] Nevertheless, several people and events from Lee's childhood parallel those of the fictional Scout. Amasa Coleman Lee, Lee's father, was an attorney similar to Atticus Finch. In 1919 ...
[132] The book also notes James Joyce's interpretation, stating that he "did far better in the Library Scene of Ulysses, where Stephen marvellously credits Shakespeare, in this play, with universal fatherhood while accurately implying that Hamlet is fatherless, thus opening a pragmatic gap between Shakespeare and Hamlet."
To be, or not to be: that is the question .....what dreams may come, (part of last, the title of a Robin Williams movie.) When we have shuffled off this mortal coil, (another from To be, or not to be) Get thee to a nunnery (occurs several places in this scene) O, woe is me,
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To Be or Not to Be offers the reader the option to play as one of three characters: Hamlet, Ophelia, or Hamlet Sr., King of Denmark.From there the story branches frequently, with some options following the course of the original play and others providing the choice to give up on the quest to kill King Claudius, or to follow other pursuits (Ophelia, for example, is a keen scientist who can ...
After its discovery in 1823, its initial editors typically took the view that Q1 was an early draft of the play, perhaps even a revision of the Ur-Hamlet, but John Payne Collier argued in 1843 that it was simply a bad version: a "pirated" text, one of the "stol'n and surreptitious copies, maimed and deformed by frauds and stealths of injurious impostors", which were denounced in the preface to ...
The character Claudius is both the major antagonist of the piece and a complex individual. He is the villain of the piece, as he admits to himself: "O, my offence is rank it smells to heaven" (Act III, Scene 3, Line 40), yet his remarkable self-awareness and remorse complicates Claudius's villain status, much like Macbeth.