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The audience design framework distinguishes between several kinds of audience types based on three criteria from the perspective of the speaker: known (whether an addressee is known to be part of a speech context), ratified (the speaker acknowledges the listener's presence in the speech context), or addressed (the listener is directly spoken to).
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Parascenium: in a Greek theatre, the wall on either side of the stage, reaching from the back wall to the orchestra. Parquet: ground floor of a theatre, often main seating section, directly in front of the stage. Part: a character; the portion of the script intended for one character. Parterre: the upper part of the main seating. Usually behind ...
The playwright's art also consists in the ability to convey to the audience the ideas that give essence to the drama within the frame of its structure. Finally, the feeling for the natural divisions of a play—including acts , scenes , and changes of place—its entries and exits, and the positioning of the cast are integral to playwriting ...
With representational acting, the audience is studiously ignored and treated as voyeurs. In the sense of actor-character relationship, the type of theatre that uses 'presentational acting' in the actor-audience relationship, is often associated with a performer using 'representational acting' in their actor-character methodology. Conversely ...
The actor puts themselves in the mindset of the character finding things in common in order to give a more genuine portrayal of the character. Method acting is a range of techniques used to assist acting persons in understanding, relating to and the portrayal of their character(s), as formulated by Lee Strasberg. Strasberg's method is based ...
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In film, staging is generally called set dressing. While from a critical standpoint, "staging" can refer to the spectacle that a play presents in performance, the term is also frequently used interchangeably with the term "blocking", referring to how the performers are placed and moved around the stage.