Search results
Results from the WOW.Com Content Network
'Images') is the Latin title of two works in ancient Greek by two authors, both named Philostratus, describing and explaining various artworks. The first of these two works called Imagines consists of two books (one consisting of an introduction and 31 chapters and the other of 34 chapters) are generally attributed to Philostratus of Lemnos ...
The Madonna del Rosario, c. 6th century, (70.2 x 40.5 cm). The Madonna del Rosario is an icon of Mary commonly dated to the sixth century or earlier. [1] It is an early version of a type of icon known as the Agiosoritissa or the Maria Advocata, in which Mary is depicted without the Christ Child, with both hands raised.
The Phrasikleia Kore is an Archaic Greek funerary statue by the artist Aristion of Paros, created between 550 and 540 BCE. It was found carefully buried in the ancient city of Myrrhinous (modern Merenta) in Attica and excavated in 1972.
Modern Greek art, after the establishment of the Greek Kingdom, began to be developed around the time of Romanticism. Greek artists absorbed many elements from their European colleagues, resulting in the culmination of the distinctive style of Greek Romantic art, inspired by revolutionary ideals as well as the country's geography and history.
The wall paintings of ancient Thera are famous frescoes discovered by Spyridon Marinatos at the excavations of Akrotiri on the Greek island of Santorini (or Thera). They are regarded as part of Minoan art , although the culture of Thera was somewhat different from that of Crete , and the political relationship between the two islands at the ...
Maria Advocata (Madonna del Rosario), c. 6th century Georgian Agiosoritissa icon (c. 1100) Freising Agiasoritissa, 12th century The Panagia Agiosoritissa or Hagiosoritissa (Greek: Ἁγιοσορίτισσα) is the name for a type of Marian icon, showing Mary without the Christ Child, slightly from the side with both hands raised in prayer.
"In the Renaissance the exemplar of the poetic painting which was invariably cited whenever the art-poetry question was discussed was the Calumny of Apelles, known through Lucian's description." [ 9 ] Sandro Botticelli 's panel of Calumny of Apelles was painted in conscious striving to equal the painting in Lucian's ekphrasis .
Thalassa (/ θ ə ˈ l æ s ə /; Ancient Greek: Θάλασσα, romanized: Thálassa, lit. 'sea'; [2] Attic Greek: Θάλαττα, Thálatta [3]) was the general word for 'sea' and for its divine female personification in Greek mythology. The word may have been of Pre-Greek origin [4] and connected to the name of the Mesopotamian primordial ...