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String Trio, op. 45 (1946). The violin and cello play col legno battuto; the violin plays col legno tratto in double stops; all the instruments play col legno tratto ponticello, double stops; violin and viola play col legno tratto ponticello in double stops, which are also played tremolo (Boyden 2001; Schoenberg 1950, 1–5, 14, 18–19)
This is a list of compositions by Alan Hovhaness (1911–2000), ordered by opus number. [1] [2] Composition dates shown in Roman font are as given at Hovhaness.com, [3] while conflicting dates from Kunze [4] or New Grove [5] are shown in italics.
The Art of Violin Playing Books 1 & 2, Carl Flesch. Edited by Eric Rosenblith. Carl Fischer Music ISBN 0-8258-2822-8 and ISBN 0-8258-6590-5; The Armenian Bowing Art, Anahit Tsitsikian,Published by “Edit Print” print house Yerevan, 2004.(in Russian) The Art of Violin Playing, Daniel Melsa, Foulsham & Co. Ltd.
The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [ 5 ] [ 6 ] They were named Sonatina when published posthumously as Op. 137 in 1836. [ 7 ] Since these works are modest in size—rather to be compared to Mozart's violin sonatas than to Beethoven's —the "Sonatina" diminutive stuck to them.
Robbins began choreographing In the Night in late September 1969. [2]: 389 several months after the premiere of his last Chopin ballet, Dances at a Gathering, [7] although he went on vacation in November. [2]: 391 In the Night is a followup to Dances at a Gathering, which McBride described as "a continuation in the same vein."
The celebrated violinist Joachim, who also played viola, married Amalie Schneeweiss in 1863. She appeared as a contralto singer under the stage name Amalie Weiss. Both were friends of Brahms, who composed the song "Geistliches Wiegenlied" for the occasion of their wedding; he withdrew it but sent it again a year later for the baptism of their son, named Johannes after Brahms.
The Phrygian dominant scale is often used in jazz composition and improvisation over secondary dominants of minor chords in a major key, such as the VI 7 chord in a VI 7-ii 7-V 7-I progression. Some modal jazz compositions, such as " Nardis " by Miles Davis , are composed in the Phrygian dominant mode.
Nocturne and Tarantella, Op. 28, is a composition for violin and piano, written in the spring and summer of 1915 by the Polish composer Karol Szymanowski.. It was first performed in Warsaw on 24 January 1920, by Paweł Kochański and Feliks Szymanowski (the composer's elder brother), and published in 1921.