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Jaya Bhārata Jananiya Tanujāte, Jaya Hē Karnāṭaka Māte (pronounced [Jaya bha:rata jananiya tanuja:te, jaya he: karna:ʈaka ma:te]; lit. ' Victory to you Mother Karnataka, The Daughter of Mother India! ') is a Kannada-language poem composed by Kuvempu.
Mohanatarangini (River of delight) is the first work of Kanakadasa (1509–1609), a prominent literary figure in Kannada literature whose works are mostly in the Sangatya (composition meant to be sung to the accompaniment of a musical instrument), [1] Shatpadi (Six line poems) and Shataka (hundred verse) metres.
Though historians claim Purandara Dasa composed 75,000 - 475,000 songs in Sanskrit and Kannada, [1] only a few hundred of them are known today. [2] [3] He was a source of inspiration to the later composers like Tyagaraja. [4] Owing to his contribution to the Carnatic Music he is referred to as the Father of Carnatic Music (Karnataka Sangeeta ...
'Karnata Bharata Kathamanjari (Kannada: ಕರ್ಣಾಟ ಭಾರತ ಕಥಾಮಂಜರಿ) is the Kannada version of the Indian epic Mahabharata, [1] [2] [3] written by Kumara Vyasa. It encompasses the first 10 chapters of the original epic. [4] The poetic style employed in this work is Bhamini Shatpadi, which is prominent in Kannada ...
Yakshagana is not folk art but a popular traditional theatre of India performed in coastal and malenadu regions which is a blend of dance, music, songs, scholarly dialogue and colourful costumes. The word means "celestial music", and the dance drama is performed during the night (usually after the winter crop has been harvested).
Modern Kannada literature was cross-fertilized by the colonial period in India as well., [132] [133] with translations of Kannada works and dictionaries into European languages as well as other Indian languages, and vice versa, and the establishment of European style newspapers and periodicals in Kannada. In addition, in the 19th century ...
Kanaka Dasa was born into a Kannada kuruba family in Baada village, near Bankapura in Karnataka, and was a warrior at the Bankapura fort.He was taught by Srinivasacharya. As a child, he became an expert in "tarka", "vyakarana", and "mimamsa".
They were proficient singers and composers and used classical music and the Kannada language as a medium to propagate the teachings and philosophy of the Dvaita school. While Sripadaraya is sometimes credited with starting this musical movement, Purandaradaasa, a disciple of Vyaasasraaya, became renowned as Karnataka Sangita Pitaamaha. [1]