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[4] [5] The term "stays" was frequently used in English circa 1600 until the early twentieth century, and was used interchangeably with corset in the Renaissance. [6] The term "jumps," deriving from the French word jupe "short jacket," referred to stays without boning, which were less structured and typically laced in the front.
In 1985, designer Vivienne Westwood re-introduced the corset as a trendy way to enhance cleavage. [178] It was followed in 1989 by Jean Paul Gaultier, who dressed Madonna in a pink corset. Soon, Westwood introduced an elastic-sided variant that worked as a balcony to push up the cleavage. [179]
A corset may also include garters to hold up stockings; alternatively, a separate garter belt may be worn. Advertisement of corsets for children, 1886. A corset supports the visible dress and distributes the weight of large structural garments, such as the crinoline and bustle. Light linen or cotton shifts (also called chemises) were worn ...
Some historians have raised doubts about the size of these garments, which some contemporaries claimed could be as wide as 1.4 metres. Instead they claim that the seemingly enormous size of these garments was an optical illusion created by wearing it with a pair of bodies (corset) that elongated and streamlined the torso.
Corsets lost their shoulder straps, and fashion was to produce two bodices, one closed décolletage for day and one décolleté for evening. Boning: Corsets were used in women's gowns for emphasizing the small waist of the female body. They function as an undergarment which can be adjusted to bind tightly around the waist, hold and train a ...
It has been proposed by scientists that the evolutionary reason for the female body shape is due in part to this sexual selection.Sex-typical body shapes (a man's muscular physique and a woman's hourglass figure) are an outcome of evolutionary adaptation for reproductive fitness because they convey information about gene quality, health and fertility, which are important elements for mate ...
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