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An earlier horse figure was cut slightly northwest of the current one in 1838. [1] Since 1991, the horse has been owned by the National Trust, who, along with local volunteers, regularly clean and maintain it. [2] Until the late 20th century, the Litlington White Horse was referred to by various names, reflecting its location and nearby landmarks.
[42] [44] Although details such as beards, mustaches and eyebrows can be painted or sculpted on the mask, more realistic versions use ixtle, cotton, animal hair (such as horse or sheep) and even human hair, as well as other materials. [44] Eyes can be imitated on the mask with the use of marbles, mica, flat or curved glass (painted behind), or ...
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
The eye of a horse. The equine eye is one of the largest of any land mammal. [1] Its visual abilities are directly related to the animal's behavior; for example, it is active during both day and night, and it is a prey animal. Both the strengths and weaknesses of the horse's visual abilities should be taken into consideration when training the ...
John's Diner with John's Chevelle, 2007 John Baeder, oil on canvas, 30×48 inches. Photorealism is a genre of art that encompasses painting, drawing and other graphic media, in which an artist studies a photograph and then attempts to reproduce the image as realistically as possible in another medium.
Hypernetworks steer results towards a particular direction, allowing Stable Diffusion-based models to imitate the art style of specific artists, even if the artist is not recognised by the original model; they process the image by finding key areas of importance such as hair and eyes, and then patch these areas in secondary latent space. [47]
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Boy on a white horse, drawing by Theodor Kittelsen (1857–1914). Of the four elements, water is the one most often associated with the horse, [156] whether the animal is assimilated to an aquatic creature, linked to fairy-like beings such as Japan's kappa, or mounted by water deities. He may be born of water himself, or cause it to gush forth ...