Search results
Results from the WOW.Com Content Network
The widespread popularity of the dance resulted in many cultural references in contemporary media. For example, the conga line was a recurring theme in Warner Bros. animated cartoons of the 1940s. This music and dance form has become totally assimilated into Cuba's musical heritage and has been used in many film soundtracks in the US and Mexico ...
The term conga refers to the music groups within Cuban comparsas and the music they play. Comparsas are large ensembles of musicians, singers and dancers with a specific costume and choreography which perform in the street carnivals of Santiago de Cuba , Camaguey, and Havana .
"Conga" is a song by American band Miami Sound Machine, led by Gloria Estefan, released as the first single from their second English-language album, Primitive Love. The song was written by the band's drummer Enrique Garcia.
Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo (formerly French Congo) and Democratic Republic of the Congo (formerly Zaire).
The dance is a variation on a conga line.Participants dance in a line or a circle, holding on to the hips of the person in front of them.They tap the floor two times with their left foot, then with their right foot, then they hop forwards, backwards, and finally three hops forward to finish the sequence, which continues throughout the tune.
In September 1937, the La Conga Club was established in New York at 57 W. 57th Street. [3] It was operated by Cubans Bobby Martyn, Miguel Roldan and Oscar Roche. [4] The club's diners and dancers enjoyed Rumba bands and Cuban music. Each night included a nightly Conga line, popularized by Cuban conga player Desi Arnaz in Miami and New York. [5] [6]
This category is for Conga — a style of dance music from Cuba ... Pages in category "Conga (music)" The following 5 pages are in this category, out of 5 total.
He is a Cuban Conguero performing classic Cuban Rumbas, Afro-Cuban folkloric and religious music. He is a Santería priest. He came to the United States of America from Havana in 1998. He plays the Batá drum, conga, cajón, timbale, and bongo drums, among other percussion instruments. Pedrito learned his craft from the streets of Havana, Cuba.