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This is because "the stable and systematic moral universe for which the ethical philosopher asks is fully possible only in a world where there is a divine thinker with all-enveloping demands", for in that case, "actualized in his thought already must be that ethical philosophy which we seek as the pattern which our own must evermore approach."
While the Latin term itself originates in scholasticism, it reflects the Aristotelian view of man as a creature distinguished by a rational principle.In the Nicomachean Ethics I.13, Aristotle states that the human being has a rational principle (Greek: λόγον ἔχον), on top of the nutritive life shared with plants, and the instinctual life shared with other animals, i. e., the ability ...
Again, if "man" has one meaning, let this be "two-footed animal"; by having one meaning I understand this:—if "man" means "X", then if A is a man "X" will be what "being a man" means for him. (It makes no difference even if one were to say a word has several meanings, if only they are limited in number; for to each definition there might be ...
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
A closely related definition characterizes an ethical dilemma as a situation in which every available choice is wrong. The term is also used in a wider sense in everyday language to refer to ethical conflicts that may be resolvable, to psychologically difficult choices or to other types of difficult ethical problems.
Ethical statements do not look like the kind of thing the emotive theory says they are. [43] James Urmson's 1968 book The Emotive Theory of Ethics also disagreed with many of Stevenson's points in Ethics and Language, "a work of great value" with "a few serious mistakes [that] led Stevenson consistently to distort his otherwise valuable ...
Loosely based on William Shakespeare’s comedy Much Ado About Nothing, Anyone But You is chock-full of references to its source material that could be easily overlooked by the casual viewer.
It is mentioned by the character Costard in Act V, Scene I of William Shakespeare's Love's Labour's Lost. As it appears only once in Shakespeare's works, it is a hapax legomenon in the Shakespeare canon. At 27 letters, it is the longest word in the English language to strictly alternate between consonants and vowels. [1]