Search results
Results from the WOW.Com Content Network
Depending on the author, opera or acting was coined the real drama. From the 19th century on, movies were included in dramatic theory as a contemporary alternative to live acting (see Film theory). In the dramatic theory of the last decades, it was popular to see theater as more than just drama (see Performative utterance, Postdramatic theatre ...
Drama theory asserts that a character faced with a dilemma feels specific positive or negative emotions that it tries to rationalize by persuading itself and others that the game should be redefined in a way that eliminates the dilemma; for example, a character with an incredible threat makes it credible by becoming angry and finding reasons ...
According to this theory, the world is a stage where all the people present are actors and their actions parallel a drama. [1] Burke then correlates dramatism with motivation, saying that people are "motivated" to behave in response to certain situations, similar to how actors in a play are motivated to behave or function. [ 1 ]
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
The sixteenth century Italians played a central role in the publishing and interpretation of classical dramatic theory, and their works had a major effect on French theatre. Lodovico Castelvetro 's Aristote-based Art of Poetry (1570) was one of the first enunciations of the three unities ; this work would inform Jean de la Taille 's Art de la ...
Theatre studies (sometimes referred to as theatrology or dramatics) is the study of theatrical performance in relation to its literary, physical, psychological, sociological, and historical contexts.
Help; Learn to edit; Community portal; Recent changes; Upload file; Special pages
The notion of postdramatic theatre was established by German theatre researcher Hans-Thies Lehmann in his book Postdramatic Theatre, [1] summarising a number of tendencies and stylistic traits occurring in avant-garde theatre since the end of the 1960s.