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A performance at the Jazz in Duketown festival in 2019, located at 's-Hertogenbosch, North Brabant, Netherlands. Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music.
In jazz, when one instrumentalist or singer is doing a solo, the other ensemble members play accompaniment parts. While fully written-out accompaniment parts are used in large jazz ensembles, such as big bands, in small groups (e.g., jazz quartet, piano trio, organ trio, etc.), the rhythm section members typically improvise their accompaniment parts, an activity called comping.
This is an A–Z list of jazz tunes, which includes jazz standards, pop standards, and film song classics which have been sung or performed in jazz on numerous occasions and are considered part of the jazz repertoire. For a chronological list of jazz standards with author details, see the lists in the box on the right.
The song is one of the most popular pre-1920s standards, and its chord progression has been used in numerous jazz compositions, including Miles Davis's 1947 tune "Donna Lee". [85] 1917 – "Rose Room". [86] Jazz song composed by Art Hickman with lyrics by Harry Williams. [87]
Since the 1950s, sacred and liturgical music has been performed and recorded by many prominent jazz composers and musicians. [186] The "Abyssinian Mass" by Wynton Marsalis (Blueengine Records, 2016) is a recent example. Relatively little has been written about sacred and liturgical jazz.
"Moanin '" has a call and response melody. [1] One account of its creation was given by Benny Golson, the tenor saxophonist in Blakey's band: Timmons had the opening eight bars, which he often played between tunes, but formed the complete song only after Golson encouraged him to add a bridge. [3] It is played in F minor.
Kansas City was a wide open town with prohibition era liquor laws and hours totally ignored, and was called the new Storyville. Most of the jazz musicians associated with the style were born in other places but got caught up in the friendly musical competitions among performers that could keep a single song being performed in variations for an ...
On this recording, someone is heard playing the 3-2 son clave pattern on claves throughout a good portion of this 2–3 song. [6] This recording is the last one Pozo made of "Manteca"; he was shot and killed in a Harlem bar two months later. [7] The Spanish word manteca is an Afro-Cuban slang term for heroin. [8]