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In 1976, the Department of English at Purdue University asked Muriel "Mickey" Harris to establish a writing lab, a campus-based service designed to assist learners in their rhetorical writing processes. Harris began the writing lab by collaborating with a team of graduate assistants, who worked one-to-one with student writers, often authoring ...
Program music is a term applied to any musical composition on the classical music tradition in which the piece is designed according to some preconceived narrative, or is designed to evoke a specific idea and atmosphere.
The symbolism used in a poem may not always be as overt as metaphor. Often the poet communicates emotionally by selecting words with particular connotations. For example, the word "sheen" in The Destruction of Sennacherib has stronger connotations of polishing, of human industry, than does the similar "shine". The Assyrians did not simply ...
Definition [ edit ] Defined in technical language, spectral music is an acoustic musical practice where compositional decisions are often informed by sonographic representations and mathematical analysis of sound spectra, or by mathematically generated spectra.
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. [1] Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history, moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning. [1]
A well-known example of this style of performance in popular music was Rex Harrison's portrayal of Professor Henry Higgins in My Fair Lady. [39] Another form of unpitched vocal music is the speaking chorus, prominently represented by Ernst Toch's 1930 Geographical Fugue, an example of the Gebrauchsmusik fashionable in Germany at that time. [40]
The Web Ontology Language (OWL) is a family of knowledge representation languages for authoring ontologies.Ontologies are a formal way to describe taxonomies and classification networks, essentially defining the structure of knowledge for various domains: the nouns representing classes of objects and the verbs representing relations between the objects.
An explanation of the role of particular instruments within the orchestra is also provided. The book also provides orchestral excerpts from classical scores to give examples of techniques discussed. These examples are sometimes of works by Berlioz himself, while Mozart, Wagner, Beethoven, and Gluck are also frequently cited. [2]