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It is told from the perspective of both Winnie-the-Pooh and Christopher Robin, and serves as an allegory for loss of innocence and nostalgia for childhood. Loggins was a 17-year-old senior in high school when he wrote the song. [1] Originally Disney wouldn't allow Loggins to
October Road is the 15th studio album by singer-songwriter James Taylor, released in 2002. The album would be Taylor's last album of original material until Before This World in 2015. It was nominated for the Grammy Award for Best Male Pop Performance at the 45th Grammy Awards in 2003.
Guest appearances are made by David Crosby and Graham Nash on "All the Pretty Little Ponies", Patti Austin on the "Neverland Medley" and Amy Grant and Gary Chapman on the title track (a rewritten version of "House at Pooh Corner", a song Loggins wrote in high school and had previously recorded with Jim Messina for their 1971 album Sittin' In).
Christopher Robin (Original Motion Picture Soundtrack) is the soundtrack to the 2018 film Christopher Robin directed by Marc Forster.The album consisted of a musical score composed by Geoff Zanelli and Jon Brion, and songs written by Richard M. Sherman of the Sherman brothers duo, who occasionally collaborate for all Disney films.
James Taylor is the debut studio album by American singer-songwriter James Taylor. Released on December 6, 1968, it was the first recording by a non-British artist released by Apple Records , and would also be Taylor's only release on that label.
James Vernon Taylor (born March 12, 1948) is an American singer-songwriter and guitarist. ... [27] [30] In some other songs, Taylor romanticized his life, ...
The other track new to the collection is a version of George Harrison's "Here Comes the Sun" by Taylor and cellist Yo-Yo Ma, which originally appeared on Ma's 2008 holiday album Songs of Joy & Peace. The album was nominated for Best Traditional Pop Album at the 50th Grammy Awards .
Covers is the eighteenth studio album and the first covers album by singer-songwriter James Taylor released in 2008. The album was recorded with his regular touring band. Some of the tunes Taylor had been performing off and on in concerts for years, while others were new to his repertoire.