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Some extra special copies had a full-page engraving by Hughes-Stanton for the dedicatory poem to "S.A.". [5] Other commissions followed and, in the next few years, he illustrated with wood engravings three tall folios for the Cresset Press – The Pilgrim's Progress (1928), The Apocrypha (1929) and D. H. Lawrence's Birds, Beasts and Flowers (1930).
Leather-covered sandbag, wood blocks and tools , used in wood engraving Wood engraving is a printmaking technique, in which an artist works an image into a block of wood. Functionally a variety of woodcut , it uses relief printing , where the artist applies ink to the face of the block and prints using relatively low pressure.
John Thompson (25 May 1785 – 20 February 1866) was a British wood-engraver. He is best known for his contribution to William Yarrell's 1843 History of British Birds. He was described as the most distinguished wood-engraver of his time.
Thomas Bewick (c. 11 August 1753 – 8 November 1828) was an English wood-engraver and natural history author. Early in his career he took on all kinds of work such as engraving cutlery, making the wood blocks for advertisements, and illustrating children's books.
Valkyrie and Raven, 1862 wood-engraving by Joseph Swain after Frederick Sandys, illustration to the Hrafnsmál. Swain was one of the most prolific wood-engravers of the nineteenth century. His own work is not always signed, and the signature "Swain sc" must be taken to include the engraving of assistants working for his firm.
The October 1915 issue had an article on him which featured The Limestone Rock (1904–1906), one of the largest wood engravings ever produced (230 mm × 295 mm (9.1 in × 11.6 in)). In 1922 he contributed a wood engraving to Contemporary English Woodcuts, an anthology of wood engravings produced by Thomas Balston, a director at Duckworth and ...
In 1935, he learned basic wood engraving technique from Noel Rooke. [1] Mackley's book Wood Engraving, published in 1948, remains one of the leading manuals of engraving techniques. [2] In A History of British Wood Engraving (1978) Albert Garrett described him as ‘a phenomenon in British engraving. A few square centimetres of Mackley is more ...
Byfield was born in London into a family of wood engravers. Taught by their father, Mary Byfield often worked with her brothers John (1788-1841) and Ebenezer (1790-1817) to produce engraved illustrations for books. [2] [3] These included several volumes for the writer Thomas Frognall Dibdin. [4]
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