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A suanpan (top) and a soroban (bottom). The two abaci seen here are of standard size and have thirteen rods each. Another variant of soroban. The soroban is composed of an odd number of columns or rods, each having beads: one separate bead having a value of five, called go-dama (五玉, ごだま, "five-bead") and four beads each having a value of one, called ichi-dama (一玉, いちだま ...
The longer slot with five beads below the Ө position allowed for the counting of 1/12 of a whole unit called an uncia (from which the English words inch and ounce are derived), making the abacus useful for Roman measures and Roman currency. The first column was either a single slot with 4 beads or 3 slots with one, one and two beads ...
The Song dynasty and earlier used the 1:4 type or four-beads abacus similar to the modern abacus including the shape of the beads commonly known as Japanese-style abacus. [28] In the early Ming dynasty, the abacus began to appear in a 1:5 ratio. The upper deck had one bead and the bottom had five beads. [29]
View this and other nearby images on: OpenStreetMap 25.102442; 121.548453 Over 2000 more Public Domain photos from National Palace Museum of Taipei, plus thousands more from Chinese and world historical sites and museums at www.WorldHistoryPics.com
The suanpan is a 2:5 abacus: two heaven beads and five earth beads. If one compares the suanpan to the soroban which is a 1:4 abacus, one might think there are two "extra" beads in each column. In fact, to represent decimal numbers and add or subtract such numbers, one strictly needs only one upper bead and four lower beads on each column.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
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The abacus in Norman work is square where the columns are small; but on larger piers it is sometimes octagonal, as at Waltham Abbey. The square of the abacus is often sculptured with ornaments, as at the White Tower and at Alton, Hampshire (fig. 2). In Early English work, the abacus is generally circular, and in larger work, a group of circles ...
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