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Makara (Hindu mythology) – half terrestrial animal in the frontal part (stag, deer, or elephant) and half aquatic animal in the hind part (usually of a fish, a seal, or a snake, though sometimes a peacock or even a floral tail is depicted) Mug-wamp - (Canadian) giant sturgeon monster said to inhabit Lake Temiskaming in Ontario. Name is of ...
Several mythical creatures from Bilderbuch für Kinder (lit. ' picture book for children ') between 1790 and 1822, by Friedrich Justin Bertuch A legendary creature (also called a mythical creature or mythological creature) is a type of fantasy entity, typically a hybrid, that has not been proven and that is described in folklore (including myths and legends), but may be featured in historical ...
In the lore of Magic the gathering the Multiverse is a collection of planes (described somewhat like pocket universes) which are usually named after the primary planet contained within them. Travel between these planes is possible, and a few powerful beings known as "Planeswalkers" are capable of traversing between them at will.
Black magic as a category didn't exist in ancient Mesopotamia, and a person legitimately using magic to defend themselves against illegitimate magic would use exactly the same techniques. [4] The only major difference was the fact that curses were enacted in secret; [ 4 ] whereas a defense against sorcery was conducted in the open, in front of ...
Certain modern scholars question the validity of Breuil's sketch, claiming that modern photographs do not show the famous antlers. Ronald Hutton theorized that Breuil was fitting the evidence to support his hunting-magic theory of cave-art, citing that "the figure drawn by Breuil is not the same as the one actually painted on the cave wall."
They also differed in that they had a five-lobed brain. The Elder Things exhibited vegetable as well as animal characteristics, and in terms of reproduction, multiplied using spores, although they discouraged increasing their numbers except when colonizing new regions.
Magic performances tend to fall into a few specialties or genres. Stage illusions use large-scale props and even large animals. Platform magic is performed for a medium to large audience. Close-up magic is performed with the audience close to the magician. Escapology involves escapes from confinement or restraints.
Low magic is also closely associated with sorcery and witchcraft. [18] Anthropologist Susan Greenwood writes that "Since the Renaissance, high magic has been concerned with drawing down forces and energies from heaven" and achieving unity with divinity. [19] High magic is usually performed indoors while witchcraft is often performed outdoors. [20]