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Its hypertext is situated along a linear axis. With a straight path from beginning to end, it is fairly easy for the reader to follow. An example of an axial hypertext fiction is The Virtual Disappearance of Miriam. Arborescent hypertext fiction is more complex than the axial form. Its hypertext has a branching structure which resembles a tree ...
Hypertext, in semiotics, is a text which alludes to, derives from, or relates to an earlier work or hypotext (a subsequent of a hypotext). [1]For example, James Joyce's Ulysses could be regarded as one of the many hypertexts deriving from Homer's Odyssey; Angela Carter's "The Tiger's Bride" can be considered a hypertext which relates to an earlier work, or hypotext, the original fairy-story ...
Hypotextuality or hypertextuality is the relation between a text and a preceding 'hypotext' – a text or genre on which it is based but which it transforms, modifies, elaborates or extends. Examples are parody, spoof, sequel, and translation. In information technology, hypertextuality is a text that takes the reader directly to other texts. [2]
Linda Dement’s Cyberflesh Girlmonster (1995) is a hypertext CD-ROM that incorporates images of women’s body parts and remixes them to create new shapes. [ 12 ] [ 13 ] Dr. Caitlin Fisher’s hypertext novella These Waves of Girls (2000), mentioned above, is set in three time periods of the protagonist exploring her queer identity through memory.
James Joyce's 1922 novel Ulysses bears an intertextual relationship to Homer's Odyssey.. Julia Kristeva coined the term "intertextuality" (intertextualité) [13] in an attempt to synthesize Ferdinand de Saussure's semiotics: his study of how signs derive their meaning from the structure of a text (Bakhtin's dialogism); his theory suggests a continual dialogue with other works of literature and ...
Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps.
In poetry, they act as non-verbal tools of poetic expression. A form of artistic choice, the poet's choice of punctuation is central to our understanding of poetic meaning because of its ability to influence prosody. The unorthodox use of punctuation increases the expressive complexity of poems, or may be used to align poetic metres.
For example, consider the words "slither" and "sneak." When used in a poem, the words conjure up images of a snake. The sibilant s sound reinforces the image. The connotations of the words suggest something surreptitious and undercover. From the tone, one can infer that the author is suspicious or fearful of the subject.