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Axé was a fusion of African and Caribbean styles such as merengue, salsa and reggae, as well as being influenced by other Afro-Brazilian musical styles such as frevo and forró. Axé music was labeled in 1980s, but it was already noticeable in the 50s with the incorporation of the "guitarra baiana" (guitar from Bahia). [3]
The European contribution is highest in Southern Brazil (77%), the African highest in Northeast Brazil (27%) and the Native American is the highest in Northern Brazil (32%). [ 63 ] Region [ 63 ]
Afro-Brazilian music consists of a mixture of musical and cultural influences from Sub-Saharan Africa, Portugal, and on a smaller scale, Amerindian music, creating a large variety of styles. Lyrics, instruments, and even melodies often have connections to African culture and even influence culture and music in other countries today.
Black Brazilian is a term used to categorise by race or color Brazilians who are black. 10.2% of the population of Brazil consider themselves black (preto). Though, the following lists include some visually mixed-race Brazilians , a group considered part of the black population by the Brazilian Black Movement .
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Music of the African diaspora is a sound created, produced, or inspired by Black people, including African music traditions and African popular music as well as the music genres of the African diaspora, including some Caribbean music, Latin music, Brazilian music and African-American music. Music of the African diaspora was mostly refined and ...
Carnival celebrations in Salvador de Bahia, Brazil. The annual Carnival that takes place in several cities of Brazil is considered the country's largest public festival. . Specifically, Carnival in Bahia Salvador is the birthplace of several groups from the Afro-Brazilian tradition, afoxé, which relates to Afro-Brazilian Carnival traditions linked to the Candomblé rel
Cross-gendered maracatu cearense blackface queen. Pre-Carnival show in Caucaia, Ceará, February 2009.. Maracatu cearense is Fortaleza's variant of maracatu nação.Brought to Fortaleza, Ceará, in 1936, maracatu cearense has since been cultivated as the city's most distinctive Carnival performance tradition, owing in part to its use of blackface makeup to enact Afro-Brazilian characters and ...