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Stephanie, Cindy, Christy, Tatjana, Naomi, Hollywood is a black and white photograph taken in 1989 by photographer and director Herb Ritts (American, 1952–2002). The subject of the photograph is a group of five women coyly entwined together in an embrace.
Lunch atop a Skyscraper, 1932. Lunch atop a Skyscraper is a black-and-white photograph taken on September 20, 1932, of eleven ironworkers sitting on a steel beam of the RCA Building, 850 feet (260 meters) above the ground during the construction of Rockefeller Center in Manhattan, New York City.
One page that is dedicated to celebrating photography from history is Old-Time Photos on Facebook. This account shares digitized versions of photos from the late 1800s all the way up to the 1980s.
Digital photo of Kearny Generating Station, converted to black and white in Lightroom, with color channels adjusted to mimic the effect of a red filter. 1968 group portrait of a Swedish musical's cast. Black-and-white photography is considered by some to be more subtle and interpretive, and less realistic than color photography.
Johansson’s long blonde tresses were tucked behind her ears in a sharp center part and styled in waves, emphasizing the Old Hollywood feel of her ensemble. Meanwhile, Jost looked dapper in a ...
In Old California: 1942: 1991: Republic Pictures [352] In Old Oklahoma: 1943: 1992: Republic Pictures [353] In This Our Life: 1942: 1990: Turner Entertainment [354] Intruder in the Dust: 1949: 1994: Turner Entertainment [355] Invasion of the Body Snatchers: 1956: 1988: Republic Pictures [356] It Came from Beneath the Sea: 1955: 2008: Columbia ...
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A hand-colored print of George Méliès' The Impossible Voyage (1904). The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth ...